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Revealing the Momotaro Armor

3/5/2019

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Momotaro Armor
The Momotaro armor is based on the Japanese folktale "Momotaro".  There are variations of the story but I followed the version my Mother read to me as a child.

In that version of the story, an elderly childless couple wished for a son. One day, while doing their daily chores, the woman finds a giant peach floating down a stream. She brings it home to her husband.

Before they eat the peach, it splits open to reveal an infant boy inside. They see this arrival as a blessing from the gods. They raise the child as their own and name him Momotaro which translates into Peach Boy.

During this time, Japan is terrorized by Oni (demons). When Momotaro comes of age, he takes it upon himself to rid the country of the marauders.  He prepares for a trip to defeat the Oni on their home island.

maedate close up
Along the way, he meets 3 sentient, talking animals, a dog, a pheasant, and a monkey. He befriends them by offering some of his Mother's kibidango (millet dumplings) and they vow to travel with Momotaro and help him defeat the Oni. On the last leg of their journey, they must cross the ocean to get to Oni Island.

My armor design depicts Momotaro's origins, the animals he encounters, and his mission to defeat the Oni.

At the center of the maedate (crest) sits the peach and on either side a peach leaf.  Each leaf is designed to resemble the wavy blade of the Kris knife.
​

menpo close up
I like to incorporate aesthetic styles or concepts from other cultures in my designs.  The menpo (facemask) represents the monkey. I chose a style reminiscent of the Indonesian rendering of Hanuman, the monkey god.

The dog is represented on the shoulders.  Although Momotaro meets only one dog on his journey, I opted for one on each shoulder. In this way, the sode (shoulder armor) is also reminiscent of the Fu Dogs and their appearance in pairs. 

The pheasant is represented on the back.  In the folktale, the pheasant would often fly ahead of the group and watch over them.  The pheasant becomes a visual representation of the saying "watching your back."

There is an animal guarding each of the four directions, symbolic of the animal group and how they protected Momotaro in his fight.

chest close up
The Do (torso armor) forms the visage of a giant Oni face.  Taking a cue from nature, some animals, like the kujaku-cho or peacock butterfly, have markings to make them appear as something larger and more intimidating. 

In the same way, the giant Oni face on the armor would intimidate the demons on Oni Island as Momotaro and his group approach by boat.

The Oni design primarily follows the Noh theater mask renderings of the Hannya, a vengeful female demon.  This section of the armor represents the vengeance Momotaro brings with him.

This design also draws inspiration from Japanese anime and manga. Influences from the 70's giant robots classics like Gaiking are reflected in the Do design.

The color white was chosen for this design for its dual association with purity and death. It was intended to portray both aspects of Momotaro's mission:  the selfless nature of his journey and bringing an end to the Oni.

3D fuel logo
Again a big shout out and thanks to my sponsors 3D Fuel for this project. 

In the upcoming weeks, I'll be building a half-scale artist's proof.  Please follow me on Instagram, Twitter, and Facebook for in progress pictures and updates.  The completed artist's proof will debut at the inaugural Kauai Comic Convention on July 8, 2019.   Following that, I'll be constructing a full-size version of the armor.

In the meantime, check out 3D Fuel's line of 3D printing filament.  For this project, I'll be using their Pro PLA line.
I would love to hear your thoughts about this design in the comments below.

Till next time, a hui hou.

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    Based in Las Vegas but originally from Hawaii, Russ Ogi is a mixed media artist.  His background and passion are in photography and traditional sculpture.

    Raised in a crossroad of cultures, he grew up with Eastern and Western influences. His art reflects that unique fusion of aesthetics and traditions.

    Sculpting in Autodesk Maya, Russ 3D prints his digital model in a variety of media from plaster and plastics to metal.

    From here, his prints often undergo meticulous handcrafting. He often utilizes custom finishing techniques to further instill a feel or emotion into a piece.  

    With almost 20 years of experience in the high-tech industry, and his background in Additive Manufacturing, Russ has also served as a consultant for numerous financial, safety and product development organizations internationally. 

    Among some of his notable clients are the Hawaii State Department of Education, the Joint POW/MIA Accounting Command (JPAC currently DPAA) and the New York Office of the Chief Medical Examiner.

    He has been a sponsored or featured artist with companies such as Autodesk, imaterialise, 3D Fuel  and, LulzBot.

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